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MAD November 15, 2019 Noelle Review: Anna Kendrick Is Delightful in Disney+ Movie

Disney+ launches with the premiere of Noelle, a syrupy sweet Christmas story with a girl power theme. Santa’s cheerful daughter steps […]

MAD November 15, 2019 Charlie’s Angels Review: Stale Reboot with Big Action

Earnest and energetic, if a bit uneven. Elizabeth Banks’s pulpy Charlie’s Angels adds new flair to the franchise with fun performances from […]

OKC film November 14, 2019 Remaking Film Mistakes: “Chained for Life” and Ableism in Film

Chained for Life, by Aaron Schimberg, shares a name with another film and that is not without some deliberate purpose. […]

OKC film November 14, 2019 Julia Hart’s “Fast Color” is a beautiful take on a superheroic family

On one level, the failure of “Fast Color” is a simple story: After its world premiere at the 2018 SXSW […]

OKC film November 14, 2019 “Clara” Is An Ambitious Hunt for the Meaning of Life

While only the second feature from young Akash Sherman; Clara shows some genuine potential that manages to elevate a sweet […]

MAD November 14, 2019 Fatal Move: Sammo Hung and Wu Jing Shine in Hong Kong Action Flick

Hong Kong Category III action returns full force in the slick and suspenseful ‘Fatal Move’. The film released in the United […]

OKC film November 13, 2019 “Hearts Beat Loud” is a Musical Tribute to a Father-Daughter Bond

Hearts Beat Loud comes to us from director Brett Haley, whose most recent films are the elder dramas The Hero […]

OKC film November 13, 2019 The Extraordinary Journey of the Fakir: An ordinary, but feel-good journey

“A long, long time ago…,” the narrative begins with these lines, setting the tone for the rest of the movie. […]

OKC film November 13, 2019 “Ashes in the Snow” lingers on the surface, failing to evoke sympathy or meaning

“Ashes in the Snow” director Marius Markevicius bites off more than he can chew in his underwhelming debut. Based on […]

OKC film November 13, 2019 In “Becoming Astrid” Ericsson Finds Freedom Before Writing ‘Pippi Longstocking’

With her knack for storytelling, 16-year-old Astrid Ericsson (Alba August) woos a married older man, Reinhold Blomberg (Henrik Rafaelsen). Many […]